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A hidden message in a box of Chinese food. Michael is overwhelmed by anxiety and phones Pauline. Their dark wishes and phantasies meet at the crossroad of a dream consummated in the laundry room of their building. Love is obsessive and geometric, it fits in cups of tea, in symmetrical shapes of wallpaper and paper airplanes. The second part of the Patterns trilogy continues the anti-love story started by innovator Jamie Travis in the first short. If you are still wondering where Travis’ visual play leads, move on to Patterns 3, the short that shapes the entire story.

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